Ned and Matty embark upon a sexual tryst that might be powerfully erotic were Mr. When characters in 40's movies experienced such lust, their passions were revealed to the audience only in oblique ways. Matty (Kathleen Turner) is a rich and unhappily married beauty in a clinging white dress, and she means to arouse in Ned a sexual longing so powerful it will make him absolutely ruthless. When Ned Racine (William Hurt), the libidinous, slightly down-atthe-heels lawyer, who is the movie's hero, meets Matty Walker, she drives him wild. While ''Body Heat'' involves murder, fraud, a weak hero led astray and a seductive, double-dealing broad, it also incorporates something new: a sexual explicitness that the old films could only hint at. And he hasn't confined himself strictly to the conventions of his material. Lawrence Kasdan, who wrote and directed the film, has learned the lessons of ''Double Indemnity'' and ''The Postman Always Rings Twice'' very well. ''Body Heat,'' which opens today at the Loews State and other theaters, can lay some claim to a textbook perfection. They don't make movies like that anymore - but oh, how they try. Those rules - which say the world is a sultry, shadowy place full of characters motivated solely by lust and greed - have little to do with anything lifelike, and everything to do with the 1940's film noir classics from which ''Body Heat'' is skillfully, though slavishly, derived.
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Pretty soon people start thinking the old rules are no longer in effect.'' A character says that in ''Body Heat,'' though in this movie the old rules are the only ones that matter.